The Box in the Attic
I don't need to pick up the note to know it's my handwriting. I recognize my own block capitals from twenty feet away — the way I still write today, careful, a little too neat, the handwriting of someone who learned young that sloppy paperwork got people hurt.
"Read it," Marlowe says.
I unfold it anyway. Six words, written the night of the fire, tucked into an envelope I don't remember mailing but must have.
I'll keep watching over her.
"There's more," Marlowe says, tipping the box. Beneath the photograph — small toys, unsigned. A wooden rattle. A tiny fire truck, paint chipped from twenty years of handling. Birthday cards with no return address, postmarked from three towns over, one every single year without fail.
"You've been sending things," Marlowe says. It isn't a question. "This whole time."
Corinne, still at the table, won't meet my eyes. "They came every year. No name. I told myself it was some well-wisher from the department. I never let myself ask harder than that."
I look at the note in my hand — my own handwriting, my own promise, written by a twenty-three-year-old who apparently knew something his forty-seven-year-old self swears he didn't.
"I didn't know," I say again, slower this time, because I owe them slower. "Not for certain. But there was a moment — the caseworker who processed the adoption made a call to the station a few days after the fire, asking about the child's condition. Said her name was Doyle. I remember thinking the county code sounded familiar. I remember feeling sick and telling myself it was nothing." I set the note down like it might burn me. "I think some part of me suspected. I think I was too ashamed to find out for sure. So instead of asking, I just... kept showing up. Kept sending things nobody could trace back to me. It felt safer than being wrong. Or being right."
Marlowe stares at me for a long moment. Corinne stares at the table.
Then Corinne stands, crosses to the hutch by the window, and pulls open the bottom drawer — the kind every house has, full of expired coupons and dead batteries and things nobody wants to throw away.
She takes out an envelope. Sealed. Unopened. The return address is a genetics lab.
"This came for you eight years ago," she tells Marlowe. "I never let you open it."
Marlowe's hand closes around it. "Open it," I hear myself say.